Many thought it too much for any audience to take but on September 7th 2015 TWiT became the first broadcast network to feed their audience a ten minute commercial. We undertsand it was one of the worst TWiTs in the history of TWiT, but ten minutes?
At what point is it considered an infomercial?
Please Speed through if you don’t believe us. We are not responsible for any deaths as a result of boredom. Watching this video can cause headaches, vomiting, diarrhea, feelings of depression, suicide, homicide, patricide, genocide, bouts of murder, sweating, sweaty palms, abortion, crucifixions, crusades, terrorism and can result in harm to a fetus (wether in you or in anyone nearby,) racism, homophobia, claustrophobia, agoraphobia, stomach pains, runny nose, bad breath, pimples and spinal injury. Consult your doctor, lawyer, grade school teachers, accountant, janitor,psychiatrist before watching.
An announcement arrived after this past Sunday’s episode of TWiT. Nothing is sadder than watching TWiT abandon everything it once held dear as it becomes nothing more than a high speed pursuit of money. TWiT had previously promised fans that advertising will never dictate content. Add that pledge to the growing pile of lies.
The announcement is that TWiT is now covering any and every live event. But why? Is it all of a sudden important? Why are they looking for live events to cover? Answer: They sold ads on TWiT Specials, finally. After only five years, management monetized the most “highly watched” content. So now it’s time to pervert it.
Now that specials are making some dough, the audience will undoubtedly be forced to choke on them. In actuality, TWiT is so uninterested in these events , which they are now covering, that they will just have Gum host.
Shame on you Leo.
This short term thinking should accomplish the lone goal of making the public lose interest in the actual watchable live events.
And I ask the haters of this blog to offer an alternate theory as to why they are suddenly making this change aside from the $$. If only they could sell some ads on Inside TWiT and at the Monthly Global Meet Ups, this network might return to being interesting.
"I thought he isn’t staying once the lease is up anyway, why is he so bitter towards new tenant?"
My diagnosis is that he is coming to grips with reality. The last four years were an important time for TWiT. As Lisa alluded to in her CEO blog, it was about metaphorically growing twit to fit the brickhouse. They were launching new shows and trying to build a network. They failed.
Now the millions of greenbacks put into the rented brickhouse are gone. They got 4 or 5 years out of that money. Due to bad decisions they lost all talent. Elgin has launched zero shows. Megan has no time to launch a show. Each show Padre has launched would be cancelled if not for the free labor cost. Thank god for Gazelle because they don’t even entertain new show ideas anymore after the TNSS disaster.
An expensive video show for a podcast network, sheesh.
The new people have not had one new show and are struggling to maintain the foundation from crumbling. Leo is well aware that when the next phase comes it will be about squeezing everything he can out of what is left of twit and not growth.
The next studio will be smaller. They will retain Jason for AAA and editing with one other editor and one IT guy. Everyone else will have to be let go. TNT will end and Padre will begin his sabbatical. They will cut more costs and try and preserve revenue from the people not updating RSS feeds in iTunes and Stitcher. The days when shows brought viewers to other shows is turning into days where defections cause defections on other programs.
Getting back to the original question of the commenter, Leo knows when the brickhouse closes the final chapter begins. He would probably rather pay high rent for another year or two than admit the truth. This is a sad time and calls for a classic sad video.
We are proud to release the world premiere trailer of the disaster.
Well, it looks like they went all out hiring no one. They are apparently putting everyone who is already salaried to work on an additional show and paying them no additional money. The intro is cheezy but well produced.
We are hoping for segments like:
DubStep with Mike Elgan
More drones with father Robert
Travel coupons with Jonny Jet
Off Site producing tips with OMGChad
Can Megan and Jason please leave work early to see their kids?
Anyway we will be too busy watching this new show:
totaldrama once again pays its respects to savingtwit.org for the #scoup, we should hire their ace reporter.
This past January, #Soup was able to avoid saying the lovely and talented Sarah Lane was leaving TWiT because she was continuing on iPad Today. And then when he fired her from IPT in March, he just said it was old news, she left back in January. The man is clever, he knew it all along. On the very day he announced she was going to TC he stated that she was probably going to get too busy to do Ipad Today on Saturdays.
He is aware that the fans will realize that twit is collapsing when they have to shutter the Brickhouse, so he is setting them up. Remember, revenue has risen every year, 5% – 30% per show. Uh huh. TNT is back. Uh huh. This is just a strategic move. Uh huh. Get ready for some prime time bullshit about this last ditch retreat.